The story behind Obama’s doc “The Road We’ve Traveled”

The Obama campaign has enlisted the help of Hollywood to make a mini-documentary on how awesome Barack Obama’s Presidency has been. Of course, he’s been so horrific a president it makes sense he’d need to recruit people who make stuff up for a living to promote himself. Why’d they select that name? Glenn covered the story on radio this morning!

Read the transcript of the discussion below:

GLENN: Well, hello, America. Welcome to the program. There is a lot to discuss. There is some amazing, some amazing things that nobody could find, you know, that was a problem for the president in the new Tom Hanks documentary which I think is ‑‑ Tom, you must be so proud. You must be so proud. You're so neutral in this, you're making a campaign film, it really is a propaganda film for Barack Obama. The problem with it is the filmmaker said, you know, the only thing that we could really find bad about Barack Obama is that it was just so good. I've never ‑‑ huh.

PAT: Yeah, here's what he said with Piers Morgan the other night.

MORGAN: These documentary makers, you know, balance these movies with the negative as well as the positive. What are the negatives in your movie about Barack Obama?

VOICE: Well, I mean, the negative for me was there were too many accomplishments. I had, you know, 17 minutes to put them all in there but I think ‑‑

MORGAN: Oh, come off it. Come ‑‑ you can't say that with a straight face. Come on.

VOICE: I'm looking at you right now with a straight face. I mean, look, I mean ‑‑

MORGAN: The only negative about Barack Obama is there are too many positives is this

VOICE: That was a negative ‑‑ excuse me, a negative for me.

MORGAN: Oh.

VOICE: Which is, you know, I ‑‑ the challenge for me was I wanted to put more in there, I really did.

MORGAN: Are there any negatives in there?

VOICE: I think they're negatives in the sense that the challenges when you're trying to pass healthcare in a really toxic environment, they're negatives in terms of the opposition he's had.

PAT: That is Debbie Wasserman Schultz‑worthy right there.

STU: It is, that's almost Debbie Wasserman Schultz syndrome right there.

GLENN: After four years the only bad thing they found about their time in office was... it was just too good.

STU: I'm glad, too, they got the guy, Tom Hanks, who also brought us the documentary about how we were all just racists in World War II 6789 wasn't that the same?

GLENN: Yeah, it is.

STU: That's right.

GLENN: It is.

STU: All it was was about our Japanese racism.

GLENN: Yeah, mmm‑hmmm.

STU: Certainly nothing to do with, I don't know, Nazis and stuff.

PAT: And being attacked.

GLENN: Or being attacked.

STU: And being attacked.

GLENN: By the empire of Japan.

STU: It certainly had nothing to do with that.

GLENN: It had nothing to do with that.

STU: It was our racism.

GLENN: It was our racism.

STU: Uh‑huh.

GLENN: You know what? Tom Hanks, how do these guys dupe us? And, you know, I apologize to the family members, unless they're all communists, too, of Jimmy, Jimmy Stewart. Because I've always thought that Tom Hanks was our Jimmy Stewart. He couldn't be further from Jimmy Stewart. Jimmy Stewart and Hank Fonda, they were all decent Americans. They loved the country. They were decent, good Americans.

STU: I don't know that ‑‑ yeah, I mean, that last ‑‑ this thing, I mean, he's just a crazy Hollywood liberal which you'd sort of expect, though I feel like for a long time he wasn't out there making a big deal out of that.

GLENN: Oh, no. I mean, of course no.

STU: I don't know why it's changed.

GLENN: They all hide. I mean, look at Barack Obama. By the way, the name of this, the name of this documentary is The Road We've Traveled, right?

STU: Mmm‑hmmm.

GLENN: Could you do me a favor? Could you look up Stuart Chase? I believe Stuart Chase is the guy who coined the term The New Deal. I'm pretty sure. There's this book from the 1930s that was written by Stuart Chase and I thought of it this morning as we were thinking about the movie The Road We've Traveled, Stuart Chase, have you seen?

STU: It has been suggested he was the originator of the expression A New Deal.

GLENN: Okay. Progressive?

STU: I mean, I'm just reading a sentence here.

GLENN: I'm pretty sure. I'm pretty sure. I think this guy was a big FDR guy. And he wrote this book called The Road We are Traveling and it was written in 1942 and he said we're on this road and after the war is finished ‑‑ he wrote this book in 1942. After the war is finished, we're going to have to clear up this mystery. But what we are now is no longer, it's not socialism, it's not capitalism. He just called it in his book X. And he said, we'll have to define it later, but it's X. We don't know what to call it yet.

But there's some major characteristics, and it's replaced our system of free enterprise and it will all over the world. He said we could call it communism, we could call it fascism, we could call it state capitalism. We just don't know what it is.

Now, he said ‑‑ try this on for size. This is what it is. This is how you would describe it: A strong centralized government.

Would you say we have that?

STU: Check.

GLENN: An executive arm growing at the expense of the legislative and judicial arms.

STU: Yes.

GLENN: Got that? The control of banking, credit, and security exchanges by the government.

STU: Yeah. Jeez.

GLENN: The underwriting of employment through armaments or public works.

STU: Yeah, absolutely. Stimulus package and so much more.

GLENN: The underwriting of Social Security by the government.

STU: Mmm‑hmmm.

GLENN: The underwriting of food, housing, and medical care by the government. The use of deficit spending to than the these underwritings.

STU: We're 100% so far.

GLENN: The abandonment of gold in favor of managed currencies.

STU: Obviously.

PAT: Been there.

GLENN: The control of foreign trade by the government. The control of natural resources. The control of energy sources.

STU: Yep.

GLENN: The control of transportation. The control of agricultural production. The control of organized labor unions. The enlistment of young men and young women in youth corps devoted to health, discipline, community service, and ideologies consistent with those of the government authorities.

PAT: They're kind of working on that right now.

GLENN: Heavy taxation with special emphasis on the estates and incomes of the rich.

STU: (Laughing.) Is this ‑‑

GLENN: State control of communications and propaganda.

STU: This is like a mission statement for the Obama administration.

GLENN: May I? This book was not an indictment of it.

STU: Okay.

GLENN: It was saying "This is great." Remember this is the guy who coined the term The New Deal. This is the road we're traveling. Now, is it a coincidence? I'm sure it is. Is it a coincidence that anybody who has studied progressivism ‑‑ I mean, when I heard the name of this, this documentary, I mean, you were with me, Pat.

PAT: Oh, yeah.

GLENN: Immediately.

STU: Perked up right away.

GLENN: Wait a minute. I have that book. I had it wrong. I thought it was the Road We Traveled. The name of the book is The Road We're Traveling.

PAT: That makes so much sense because we were traveling that road then. Now we've traveled it.

GLENN: We've traveled it.

PAT: And now it's past tense. We're there. It's great.

GLENN: This is yet another ‑‑

PAT: It's amazing.

GLENN: Another knife in the back to anybody who doesn't know and a wink to anybody who does know the history. Everybody who ‑‑ anybody who is a Cass Sunstein, I mean, Cass Sunstein wanted this job because he's a fan of Edward Bernays. He knows. He salivated over this job. He couldn't wait. Those guys would absolutely know. I mean, remember when they were talking to us about Father Coughlin and they're calling me Father Coughlin and we're like, who the hell is Father Coughlin? They knew. They know these players. They know who Stuart Chase is. I really believe that whoever did this, they know exactly what they've done. They've said, "Yeah, yeah, it was X." They couldn't identify what it was. It's state capitalism.

See, we were trying to do all these things in 1942 and Stuart Chase says, "If we do it right... this is 1942: "If we do it right, if you get it right, you will not be able to turn this ship off of that course." Now the name of this movie is The Road We Traveled?

STU: Well, certainly by the standard they set up, they're definitely guilty. If you remember back in 2010, we did that rally, you know, Restoring Honor in Washington and they immediately accused us of stealing the speech date of Martin Luther King as if we had any idea.

GLENN: Exactly right.

STU: They immediately accused us of that. So by their standard clearly this has to be intentional.

GLENN: So who is Stuart Chase? Who's the guy who said he was going to change the free market enterprise, that this is state capitalism? Who was he? He was a Fabian Socialist, a member of the Fabian Society at Harvard, a friend of Walter Lippmann. Water Lippmann is the guy who every journalist in America has studied and hails as a hero. He was a eugenicist, a eugenics guy, he was a progressive, he was a member of the Woodrow Wilson administration.

STU: (Laughing.) Sometimes I feel like they do this stuff just to give you monologues.

GLENN: I mean, I ‑‑ I can't believe it.

PAT: That's amazing.

GLENN: That's amazing.

PAT: That's amazing. I mean, but that's what they do.

STU: So they were traveling it in 1942, this road, and now ‑‑

PAT: We've traveled it.

STU: ‑‑ we've finally traveled it.

PAT: Yeah, we've arrived.

GLENN: And he said the war is going to give us a chance to actually finish this and you won't be able to turn it off the course, you won't be able to turn it around. They did turn it around some ‑‑ somewhat. But now the question is can we turn it around now. The Road We've Traveled. The name of the book from 1942 is The Road We're Traveling. You decide. I'm sure it's just a coincidence, I'm sure it is.

Legal warfare strikes France's conservative hope

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An all-too-familiar story unfolded in France this week: the is law being weaponized against a "far-right" candidate. Does that ring a bell?

Glenn was taken aback earlier this week when he learned that Marine Le Pen, a popular French conservative, had been banned from the 2027 election following a controversial conviction. The ruling shocked French conservatives and foreign politicians alike, many of whom saw Le Pen as France’s best conservative hope. President Trump called it a "very big deal," a view shared by French commentators who fear this marks the end of Le Pen’s political career.

But this isn’t just about France—it’s a symptom of a larger threat looming over the West.

A double standard?

Fmr. President Sarkozy (left) and Fmr. Prime Minister Fillon (right)

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As of Sunday, March 30, 2025, Marine Le Pen led the polls with a commanding edge over her rivals, offering French conservatives their strongest shot at the presidency in years. Hours later, that hope crumbled. Found guilty of embezzling EU funds, Le Pen was sentenced to two years of house arrest, fined €100,000 ($108,200), and banned from public office for five years, effective immediately.

Glenn quickly highlighted an apparent double standard. Former President Nicolas Sarkozy and former Prime Minister François Fillon faced similar—or worse—corruption charges, yet neither was barred from office during their political runs. So why Le Pen, and why now? Similar to Trump’s "hush money" trial, legal troubles this late in the election cycle reek of interference. The decision should belong to voters—France’s largest jury—not a courtroom. This appears to be a grave injustice to the French electorate and another crack in democracy’s foundation.

This is NOT about France

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This pattern stretches far beyond France; it’s a tactic we’ve seen before.

In early 2025, Bucharest’s streets erupted in protest after Romania’s Constitutional Court annulled the first round of its presidential election. Călin Georgescu, a rising conservative, had clinched an unexpected victory, only to have it stripped away amid baseless claims of Russian interference. His supporters raged against the decision, seeing it as a theft of their voice.

Both Georgescu and Le Pen echo the legal barrage President Trump endured before his 2024 win. The Left hurled every weapon imaginable at him, unleashing unprecedented lawfare. In America, the Constitution held, and the people’s will prevailed.

Now, with Tesla vandalism targeting Elon Musk’s free-speech stance, a coordinated pushback against freedom is clear—spanning France, Romania, the U.S., and beyond.

The war on free will

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Trump’s 2024 victory doesn’t mean lawfare is dead; Europe shows it’s thriving.

France and Romania prove its effectiveness, sidelining candidates through courts rather than ballots. Glenn warned us about this years ago—when the powerful can’t win at the polls, they turn to the gavel. It’s a chilling trend of stripping voters of their choice and silencing dissent, all the while pawning it off as justice. The playbook is polished and ready, and America’s turn could come sooner than we think.

How Melania Trump is inspiring the next generation of fashion

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First Lady Melania Trump’s impeccable style has long captivated admirers across the globe, but for one young woman, it sparked a creative revolution.

Lorelai, a young Glenn Beck fan who requested a degree of anonymity, first met Glenn while attending America Fest 2024 in Phoenix, Arizona with her grandmother. An aspiring fashion designer and illustrator, Lorelai shared with Glenn some of her sketches of characters from Glenn’s latest book, Chasing Embers. She also explained how Melania Trump became the cornerstone of her artistic journey, inspiring her to craft modest yet beautiful clothing that redefines modern fashion.

Melania Trump’s elegance—stunning, powerful, and undeniably feminine—first captured Lorelai’s attention during the First Lady’s time in the White House. Unlike the casual, often immodest trends dominating her peers’ wardrobes, Melania’s wardrobe exuded grace and sophistication. From tailored coats to flowing gowns, her choices were a masterclass in balancing boldness with dignity, a philosophy that resonated deeply with Lorelai. This admiration grew into inspiration as Lorelai began designing apparel specifically with Melania in mind, aspiring to design pieces that could match the First Lady’s grace. She strove to reflect Melania’s breathtaking style in her sketches in an effort to demonstrate how modesty can be beautiful.

The First Lady’s poised and graceful presence has redefined modesty for the modern era. To Lorelai, the First Lady’s style proves that more fabric offers boundless room for imagination, allowing personality to shine without sacrificing dignity. Melania embodies this perfectly—her fashion commands attention with stunning, memorable elegance. Inspired by this, Lorelai’s mission is to craft clothing for her generation that mirrors Melania’s influence, blending contemporary flair with classic beauty.

After her meeting with Glenn at America Fest, Lorelai’s passion and resolve have only deepened. Through fashion and art, Lorelai hopes to inspire others with the same grace that Melania Trump exemplifies. Below are some of Lorelai's sketches she was eager to share with Glenn.

Melania Trump: First Lady

I really adore First Lady Melania Trump’s grace and timeless beauty. She is extremely intelligent and brave but also strong and poised. Her fashion style displays these traits. I was inspired to create these outfits for our First Lady in hopes that she would see these drawings. -Lorelai

Melania Trump: Lady Liberty

We, as a country, will be celebrating next year our 250th anniversary of independence. The designs that inspired this patriotic gown came from Lady Liberty and Lady Columbia art. I also love our American flag, and this design is a combination of all three. -Lorelai

Chasing Embers Character Art (Ember)

I chose to draw the characters Sky, Azaz and Ember from Glenn Beck and Mikayla G. Hedrick’s Chasing Embers series. -Lorelai

Chasing Embers Concept Art (Ember)

I was inspired to draw a younger and teen version for Sky and Ember. -Lorelai

Chasing Embers Character Art (Sky)

Chasing Embers Concept Art (Azaz)

I also gave multiple outfits designs for Sky and Azaz. I loved that their personalities and character development meant in my mind a wardrobe development too. -Lorelai

Glenn: Government workers bought luxury cars with YOUR tax dollars

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The deep state isn’t a conspiracy theory — it’s a reality. And the corrupt, free-spending Federal Mediation and Conciliation Service is just one example of how Washington insiders enrich themselves.

A little-known agency in Washington perfectly encapsulates everything wrong with our bloated, corrupt government: the Federal Mediation and Conciliation Service. It should be the poster child of everything that Elon Musk is exposing.

The agency was established in 1947 under the Labor Management Relations Act to serve as an independent agency mediating disputes between unions and businesses — a noble mission, perhaps. But like so many government institutions, it has rotted into something far removed from its original purpose.

The FMCS goes beyond mismanagement into blatant corruption and theft.

What was once a mechanism for labor stability has morphed into an unchecked slush fund — an exclusive playground for bureaucrats living high on taxpayer dollars.

The FMCS is a textbook case of government waste, an agency that no one was watching, where employees didn’t even bother showing up for work — some hadn’t for years. And yet they still collected paychecks and spent government money — our money — on their personal luxuries.

Luxury cars and cell phone bills

The Department of Government Efficiency discovered how FMCS employees used government credit cards — intended for official business — to lease luxury cars, cover personal cell phone bills, and even subscribe to USA Today. The agency’s information technology director, James Donnan, apparently billed taxpayers his wife’s cell phone bill, cable TV subscriptions in multiple homes, and personal subscriptions.

FMCS officials commissioned portraits of themselves and hung them in their offices, and you footed the bill. They took exotic vacations and hired their friends and relatives to keep the gravy train rolling.

The FMCS goes beyond mismanagement into blatant corruption and theft — and it went on for decades, unnoticed and unchallenged.

President Donald Trump signed an executive order to abolish the FMCS — a necessary and long-overdue move. But the FMCS is just one of many agencies within the federal government burning through billions of taxpayer dollars. How many more slush funds exist in the shadows, funneling money into the pockets of bureaucrats who produce nothing? How many government-funded NGOs operate in direct opposition to American interests?

Perhaps the most disturbing question is why Americans tolerate such corruption. Why do so many Americans tolerate this? Why is the left — supposedly the party of the people — defending the very institutions that rob working-class Americans blind?

Corruption beyond bureaucracy

The recent rallies led by Sen. Bernie Sanders (I-Vt.), Rep. Alexandria Ocasio-Cortez (D-N.Y.), and their socialist acolytes claim to be a grassroots uprising against corruption and greed. But GPS data from these rallies tells a different story. The majority of attendees aren’t ordinary citizens fed up with the status quo. They’re professional activists — serial agitators who bounce from protest to protest.

Roughly 84% of devices tracked at these rallies were present at multiple Kamala Harris events. A staggering 31% appeared at over 20 separate demonstrations, tied to Antifa, Black Lives Matter, and pro-Palestinian causes.

Many of these organizations receive federal grant money — our tax dollars — and they’re using those funds to protest the very policies that threaten to cut off their financial lifeline.

This isn’t democracy in action. This is political theater — astroturfing perfected. And the American taxpayer is funding it.

Rooting out corruption

Trump was a battering ram against this corrupt system. Elon Musk is a surgeon, meticulously exposing the infection that has festered for decades — and that’s why the leftists hate him even more than they hate Trump. Musk threatens to dismantle the financial web that sustains their entire operation.

When we allow the government to grow unchecked and our leaders to prioritize their own wealth and power over the good of the nation, figures like Trump and Musk are necessary. Rome didn’t fall because of an external invasion but rather due to internal decay that looked an awful lot like what we see today.

We must demand better. We must refuse to tolerate this corruption any longer. The FMCS may be gone, but the fight to root out this deep-seated corruption is far from over.

Editor's Note: This article was originally published on TheBlaze.com.

Did the CIA hide the real truth behind JFK's assassination?

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Many were disappointed by the recent release of the JFK files, frustrated by the apparent lack of answers to decades-old questions. The problem? They’re asking the wrong question.

Everyone wants a "who"—a smoking gun, someone to blame. It’s understandable; Americans crave justice for a slain president, to hold the culprits of one of the 20th century’s greatest crimes accountable. But the real answer isn’t a "who"—it’s a "what." That "what" is the CIA and proof of their nefarious dealings since the 1960s.

In his most recent TV special, Glenn delves into the JFK files, where he found the crucial information that everyone else seemed to miss. Be sure to watch the TV special here.

The CIA's Dirty Fingerprints

While the recent JFK files don’t explicitly pin the assassination on the CIA, the evidence between the lines is compelling.

If you follow Glenn on X, you’ve seen his newest artifact: an exact replica of Lee Harvey Oswald’s rifle. Glenn tested it at the range, attempting to replicate the notoriously difficult shot Oswald allegedly made that fateful day in Dallas. While Glenn shares more takeaways in his TV special, one thing stood out immediately: the rifle’s abysmal quality, its shoddy scope, and the odd caliber of ammunition it uses.

Oswald’s rifle, a Mannlicher-Carcano, is chambered in 6.5mm—an unusual caliber. Much like today, the average gun store in the ‘60s didn’t stock 6.5mm rounds. The largest known supply was owned by the CIA, who had shipped the ammo from Greece after World War II. Suspiciously, there’s no record of where Oswald got his ammunition, but the JFK files confirm that the gun store where he bought the Mannlicher-Carcano had CIA connections.

It’s well-known that Oswald defected to the USSR and lived there before returning to the U.S. The JFK files reveal that from the moment he touched down stateside, the CIA tracked him like a hawk. They followed him across the country and even to Mexico City—but, conveniently, seemed to lose him in Dallas just as President Kennedy arrived. What a coincidence.

Whether by design or gross incompetence, the CIA greased Oswald’s path, letting him slip unhindered into that sixth-floor Book Depository window.

The Cover-Up

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If the JFK files aren’t the smoking gun many hoped for, why did the CIA fight so hard to keep them buried?

The answer is trust. Hard as it may be to imagine today, Americans in the ‘60s trusted their government—at least more than they do now. This cover-up preserved that trust longer than it might have lasted, allowing the CIA to pull off more scandals before the public caught on. From Benghaziand 9/11 to COVID-19 and January 6, the same dirty marks found in the JFK files stain these events. It’s about saving face. The files make the CIA look incompetent at best, complicit at worst.

This might feel like common knowledge today—especially to Glenn’s audience—but 40 or 50 years ago, saying such things could land you in the loony bin. It’s taken 60 years of growing suspicion to reach this point. Imagine if the JFK files had been available back then. Could we have stopped six decades of CIA shenanigans in their tracks?

The thought is chilling.

What Now?

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The files don’t name a mastermind or explicitly confirm the darkest JFK assassination conspiracies that have swirled for decades—but they’re far from empty. They expose a disturbing truth: the CIA’s unchecked power in the ‘60s echoes into today.

In one of his most exciting TV specials yet, Glenn delves deep into the files, proving why we can’t ignore these revelations. Stop chasing a "who" and start demanding accountability for the "what." Only by confronting this can we hope to rein in the agency that’s dodged scrutiny for too long.